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Japanese aircraft carrier Akagi

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of Japanese aircraft carrier Akagi cached on 23 May 2013 at 16:21.

Image and thumbnailText description
AkagiDeckApril42.jpg
AkagiDeckApril42.jpg
Akagi after its launch at Kure, 6 April 1925
Akagi after its launch at Kure, 6 April 1925
Akagi on trials off the coast of Iyo, 17 June 1927, with all three flight decks visible
Akagi on trials off the coast of Iyo, 17 June 1927, with all three flight decks visible
Akagi underway in 1929 with aircraft on the upper flight deck and two gun turrets on the middle flight deck
Akagi underway in 1929 with aircraft on the upper flight deck and two gun turrets on the middle flight deck
A stern view of Akagi off Osaka on 15 October 1934. On deck are Mitsubishi B1M and B2M bombers
A stern view of Akagi off Osaka on 15 October 1934. On deck are Mitsubishi B1M and B2M bombers
Akagi at Sukumo, Kōchi, in April 1939 with her new, single deck flight platform and island superstructure
Akagi at Sukumo, Kōchi, in April 1939 with her new, single deck flight platform and island superstructure
Port-side anti-aircraft gun sponsons on Akagi, showing their low-mounted position on the hull which greatly restricted their arc of fire.
Port-side anti-aircraft gun sponsons on Akagi, showing their low-mounted position on the hull which greatly restricted their arc of fire.
Akagi in the summer of 1941
Akagi in the summer of 1941
A6M2 Zero Fighters prepare to launch from Akagi as part of the second wave during the attack on Pearl Harbor
A6M2 Zero Fighters prepare to launch from Akagi as part of the second wave during the attack on Pearl Harbor
Akagi leaving Celebes Island for the attack on Colombo, 26 March 1942. In the background are other carriers and battleships of the carrier striking force. Rolled futon matresses have been lashed to the island to provide extra protection from enemy attack.
Akagi leaving Celebes Island for the attack on Colombo, 26 March 1942. In the background are other carriers and battleships of the carrier striking force. Rolled futon matresses have been lashed to the island to provide extra protection from enemy attack.
First Air Fleet commander Vice Admiral Chūichi Nagumo, for whom Akagi served as flagship from Pearl Harbor to Midway
First Air Fleet commander Vice Admiral Chūichi Nagumo, for whom Akagi served as flagship from Pearl Harbor to Midway
Akagi (right, partially obscured by clouds) takes evasive action during an aerial attack by US B-17s shortly after 8 a.m. on 4 June 1942. The trailing ship at left is probably the carrier's plane guard destroyer, Nowaki. The photograph was taken from one of the attacking B-17s.[69]
Akagi (right, partially obscured by clouds) takes evasive action during an aerial attack by US B-17s shortly after 8 a.m. on 4 June 1942. The trailing ship at left is probably the carrier's plane guard destroyer, Nowaki. The photograph was taken from one of the attacking B-17s.[69]
A group photo of the American dive bomber pilots of VB-6 from Enterprise, three of whom fatally damaged Akagi. Richard Best is sitting in the center of the front row. The other two who attacked Akagi with Best were Edwin J. Kroeger (standing, eighth from the left) and Frederick T. Weber (standing, sixth from the right).[81]
A group photo of the American dive bomber pilots of VB-6 from Enterprise, three of whom fatally damaged Akagi. Richard Best is sitting in the center of the front row. The other two who attacked Akagi with Best were Edwin J. Kroeger (standing, eighth from the left) and Frederick T. Weber (standing, sixth from the right).[81]
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Stephen Crane

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of Stephen Crane cached on 23 May 2013 at 07:34.

Image and thumbnailText description
Formal portrait of Stephen Crane taken in Washington, D.C., about March 1896
Formal portrait of Stephen Crane taken in Washington, D.C., about March 1896
Cadet Crane in uniform at the age of 17
Cadet Crane in uniform at the age of 17
A steam train on the Third Avenue El over the Bowery in 1896
A steam train on the Third Avenue El over the Bowery in 1896
Detail taken from a 1894 portrait of Crane by friend and photographer Corwin Knapp Linson. Linson said the author's profile reminded him "of the young Napoleon—but not so hard, Steve."[75]
Detail taken from a 1894 portrait of Crane by friend and photographer Corwin Knapp Linson. Linson said the author's profile reminded him "of the young Napoleon—but not so hard, Steve."[75]
The SS Commodore at dock
The SS Commodore at dock
Crane posing on a fake rock for a studio photograph in Athens, 1897
Crane posing on a fake rock for a studio photograph in Athens, 1897
Crane's gravestone in Evergreen Cemetery
Crane's gravestone in Evergreen Cemetery
Battle of Chancellorsville by Kurz and Allison; Crane's realistic portrayal of war has earned him recognition from numerous critics and scholars throughout the years
Battle of Chancellorsville by Kurz and Allison; Crane's realistic portrayal of war has earned him recognition from numerous critics and scholars throughout the years
Ernest Hemingway (shown here in 1953) believed The Red Badge of Courage was "one of the finest books of [American] literature".
Ernest Hemingway (shown here in 1953) believed The Red Badge of Courage was "one of the finest books of [American] literature".
"War Memories", which Crane wrote shortly before his death, ends: "the episode was closed. And you can depend upon it that I have told you nothing at all, nothing at all, nothing at all."[199]
"War Memories", which Crane wrote shortly before his death, ends: "the episode was closed. And you can depend upon it that I have told you nothing at all, nothing at all, nothing at all."[199]
Portrait of Crane from The New Student's Reference Work (1914)
Portrait of Crane from The New Student's Reference Work (1914)
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The Legend of Zelda: Link's Awakening

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of The Legend of Zelda: Link's Awakening cached on 23 May 2013 at 00:59.

Image and thumbnailText description
A sword stands over a shield, and goes through the letter "Z" in the title The Legend of Zelda: Link's Awakening.
A sword stands over a shield, and goes through the letter "Z" in the title The Legend of Zelda: Link's Awakening.
In a castle, a boy in a green suit unsheats his sword against a knight in armor.
The protagonist, Link, battles an enemy in a castle. The bottom portion of the screen displays rupees, equipped items, and the character's health (represented by hearts).[17] The right half of the image depicts the graphics of the original game, while the left shows the color graphics of the DX edition.
In a castle, a boy in a green suit unsheats his sword against a knight in armor.
The protagonist, Link, battles an enemy in a castle. The bottom portion of the screen displays rupees, equipped items, and the character's health (represented by hearts).[17] The right half of the image depicts the graphics of the original game, while the left shows the color graphics of the DX edition.
A long-haired man wearing a coat and a striped shirt.
Designer Yoshiaki Koizumi was in charge of the game's story, and conceived major plot points such as the dream world island setting.
A long-haired man wearing a coat and a striped shirt.
Designer Yoshiaki Koizumi was in charge of the game's story, and conceived major plot points such as the dream world island setting.
Portal-puzzle.svg
Portal-puzzle.svg
Gamepad.svg
Gamepad.svg
Alcatel 9109HA.png
Alcatel 9109HA.png
Triforce.svg
Triforce.svg
Wikipedia book
Category
Portal
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James Garrard

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of James Garrard cached on 29 April 2013 at 07:26.

Image and thumbnailText description
JGarrard.jpg
JGarrard.jpg
A two-story building made of light brick, featuring several windows with black shutters, a small front porch, a single gable in the middle of the roof, and a chimney on the left
Mount Lebanon, Garrard's Bourbon County estate
A two-story building made of light brick, featuring several windows with black shutters, a small front porch, a single gable in the middle of the roof, and a chimney on the left
Mount Lebanon, Garrard's Bourbon County estate
A man with receding, dark hair wearing a high-collared white shirt, a vest, and a black jacket
Thomas Todd, one of the candidates in the 1795 gubernatorial election
A man with receding, dark hair wearing a high-collared white shirt, a vest, and a black jacket
Thomas Todd, one of the candidates in the 1795 gubernatorial election
Kentucky's first governor's mansion was constructed during Garrard's first term.
Kentucky's first governor's mansion was constructed during Garrard's first term.
A slightly portly, clean-shaven man with long gray hair wearing a high-collared, white shirt and black jacket
Garrard's son William introduced legislation to call a constitutional convention.
A slightly portly, clean-shaven man with long gray hair wearing a high-collared, white shirt and black jacket
Garrard's son William introduced legislation to call a constitutional convention.
A clean-shaven, white-haired man wearing a high-collared white shirt and black jacket
Thomas Jefferson's acquisition of Louisiana was hailed by Garrard as a "noble achievement".
A clean-shaven, white-haired man wearing a high-collared white shirt and black jacket
Thomas Jefferson's acquisition of Louisiana was hailed by Garrard as a "noble achievement".
Seal of Kentucky.svg
Seal of Kentucky.svg
Wikipedia book
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Atlantis: The Lost Empire

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of Atlantis: The Lost Empire cached on 25 May 2013 at 04:44.

Image and thumbnailText description
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The expedition crew stand together as a mysterious woman is floating in the background, surrounded by stone effigies and emitting brilliant white beams of light from a crystal necklace.
The expedition crew stand together as a mysterious woman is floating in the background, surrounded by stone effigies and emitting brilliant white beams of light from a crystal necklace.
A penciled production sketch showing a man (Milo) on the left embracing a woman (Kida) on the right. A horizontal line is visible on the bottom of the page depicting a reference line for the CinemaScope frame of the drawing.
Production sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand.
A penciled production sketch showing a man (Milo) on the left embracing a woman (Kida) on the right. A horizontal line is visible on the bottom of the page depicting a reference line for the CinemaScope frame of the drawing.
Production sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand.
A picture of a partially illuminated underground cave with a jagged rock ceiling and a walkway extended into the cavern.
The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film.
A picture of a partially illuminated underground cave with a jagged rock ceiling and a walkway extended into the cavern.
The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film.
A drawing of the Atlantean letter A which is a swirl with a dot in the center.
The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis".
A drawing of the Atlantean letter A which is a swirl with a dot in the center.
The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis".
A panoramic production still from the film depicting two distant figures standing atop an Atlantean building tower while overlooking a city and a vast lake of water with clouds in the background.
For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); bottom image was seen in the film (2.35:1).
A panoramic production still from the film depicting two distant figures standing atop an Atlantean building tower while overlooking a city and a vast lake of water with clouds in the background.
For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); bottom image was seen in the film (2.35:1).
A large model of a mechanical submarine perched atop a flat table mount.
Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[54]
A large model of a mechanical submarine perched atop a flat table mount.
Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[54]
3.5/4 stars
4/5 stars
3/4 stars
3/4 stars
3.5/5 stars
4/5 stars
Wikipedia book
Category
Animation disc.svg
Animation disc.svg
Magic Kingdom castle.jpg
Magic Kingdom castle.jpg
Video-x-generic.svg
Video-x-generic.svg

Ezra Meeker

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of Ezra Meeker cached on 25 May 2013 at 03:58.

Image and thumbnailText description
Page semi-protected
Page semi-protected
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Ezra Meeker 1921.jpg
Ezra Meeker 1921.jpg
Drawing of Meeker delivering a newspaper to Henry Ward Beecher
Drawing of Meeker delivering a newspaper to Henry Ward Beecher
The eastern half of Meeker's migration, as far as Fort Laramie
The eastern half of Meeker's migration, as far as Fort Laramie
The western half of Meeker's migration
The western half of Meeker's migration
Meeker's cabin at Kalama
Meeker's cabin at Kalama
Meeker at age 23 in 1854
Meeker at age 23 in 1854
Meeker, circa 1880
Meeker, circa 1880
The domain of the Hop King
The domain of the Hop King
Ezra and Eliza Jane Meeker stand before their onetime cabin, Puyallup (c. 1890s)
Ezra and Eliza Jane Meeker stand before their onetime cabin, Puyallup (c. 1890s)
Meeker (far right) stands before his first Klondike grocery store, Dawson City, Yukon, November 19, 1898
Meeker (far right) stands before his first Klondike grocery store, Dawson City, Yukon, November 19, 1898
The Meeker Mansion (seen in 2008)
The Meeker Mansion (seen in 2008)
Meeker's wagon (seen in 2012)
Meeker's wagon (seen in 2012)
Meeker's dog Jim
Meeker's dog Jim
First monument erected by Ezra Meeker on his trek, Tenino, Washington (seen in 2013)
First monument erected by Ezra Meeker on his trek, Tenino, Washington (seen in 2013)
Meeker in Omaha
Meeker in Omaha
Meeker in Wall Street
Meeker in Wall Street
Meeker shows his wagon to President Theodore Roosevelt
Meeker shows his wagon to President Theodore Roosevelt
Meeker with his wagon, team, and restaurant at Seattle's 1909 Alaska-Yukon-Pacific Exposition
Meeker with his wagon, team, and restaurant at Seattle's 1909 Alaska-Yukon-Pacific Exposition
The ox-team pioneer tries an airplane, 1921
The ox-team pioneer tries an airplane, 1921
Meeker with President Calvin Coolidge, 1924
Meeker with President Calvin Coolidge, 1924
Meeker (lower right) at the dedication of the statue to himself, September 14, 1926
Meeker (lower right) at the dedication of the statue to himself, September 14, 1926
Ezra Meeker's grave, Puyallup, Washington
Ezra Meeker's grave, Puyallup, Washington
Dave and Dandy, on exhibit in 2013 at the Washington State Historical Society Museum in Tacoma
Dave and Dandy, on exhibit in 2013 at the Washington State Historical Society Museum in Tacoma
Portal icon
Portal icon
Portal icon
Portal icon
Provisional Government of Oregon seal
Provisional Government of Oregon seal

Laura Secord

The following table shows images and captions on the left, and alt text and captions on the right: the right column is what a visually impaired reader will hear. This table was computed from the copy of Laura Secord cached on 19 May 2013 at 19:10.

Image and thumbnailText description
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Statue of Laura Secord
Statue of Laura Secord
Painting of Laura Secord warning British commander James FitzGibbon of an impending American attack at Beaver Dams
Secord warns British commander James FitzGibbon of an impending American attack at Beaver Dams (Lorne Kidd Smith, c. 1920)
Painting of Laura Secord warning British commander James FitzGibbon of an impending American attack at Beaver Dams
Secord warns British commander James FitzGibbon of an impending American attack at Beaver Dams (Lorne Kidd Smith, c. 1920)
Painting with Brock's monument standing on the left side in a field, near a stone wall which runs diagonally along the bottom.
Secord was promised a position at Brock's Monument, but the position was given to another woman. (1840 painting by Philip John Bainbrigge)
Painting with Brock's monument standing on the left side in a field, near a stone wall which runs diagonally along the bottom.
Secord was promised a position at Brock's Monument, but the position was given to another woman. (1840 painting by Philip John Bainbrigge)
Balck-and-white photograph of elderly woman, seated and facing towards the left of the photographer.
Laura Secord, c. 1865
Balck-and-white photograph of elderly woman, seated and facing towards the left of the photographer.
Laura Secord, c. 1865
Painting of Laura Secord led by Mohawk warriors through the woods
Secord led through the woods by Mohawks (Henry Sandham, c. 1910)
Painting of Laura Secord led by Mohawk warriors through the woods
Secord led through the woods by Mohawks (Henry Sandham, c. 1910)
A white house in three-quarter perspective. In the foreground are several picnic benches. To the left is a tall tree with a man standing beside it. To the right, partly obsured by the house, is an old well.
An upright stone monument surrounded by a low hedge. In the middle is an upright oval of an elderly woamn's face in relief.
Logo of the Laura Secord Chocolates company.  Across the middle is written "Laura Secord" in cursive script.  In the upper middle is an upright oval enclosing the face fo a young woman.  Below is written "Depuis Since 1913.
Laura Secord Chocolates commemorated Secord on the centennial of her walk.
Logo of the Laura Secord Chocolates company. Across the middle is written "Laura Secord" in cursive script. In the upper middle is an upright oval enclosing the face fo a young woman. Below is written "Depuis Since 1913.
Laura Secord Chocolates commemorated Secord on the centennial of her walk.
Flag of Canada.svg
Flag of Canada.svg
Canadian Red Ensign 1957-1965.svg
Canadian Red Ensign 1957-1965.svg
USS Constitution vs Guerriere.jpg
USS Constitution vs Guerriere.jpg
Interaction