Checklinks: Psychedelic rock

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Psychedelic rock
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21 ''Out-Of-Sight!'' SMiLE Timeline
accessdate=30 October 2011
archivedate=3 November 2008
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As the counter-cultural scene developed in San Francisco the terms [[acid rock]] and psychedelic rock were used in 1966 to describe the new drug-influenced music "Logical Outcome of fifty years of art", ''LIFE '', 9 September 1966, p. 68.200
20[[Anne Applebaum]], "Did The Death Of Communism Take Koestler And Other Literary Figures With It?", ''[[The Huffington Post]]'', 26 January 2010.200
33 Folk Rock: An Overview
accessdate=15 March 2010
publisher=Richieunterberger.com
author=R. Unterberger
200
37R. Unterberger, "British Psychedelic", ''Allmusic ''. Retrieved 7 June 2011.301Redirect to /
54 Pirate Radio, ''Ministry of Rock.co.uk ''. Retrieved 9 February 2010.200
29 Show 41 - The Acid Test: Psychedelics and a sub-culture emerge in San Francisco. [Part 1] : UNT Digital Library
publisher=Digital.library.unt.edu
last=Gilliland
accessdate=6 May 2011
work=[[Pop Chronicles]]
year=1969
first=John
200
40 Blue Cheer - Disc of the day - Mojo
accessdate=21 October 2010
date=
publisher=Mojo4music.com
author=P. Alexander
200
69N. Strauss, "The Pop Life: The First Rock Opera (No, Not "Tommy")", ''New York Times '', 9 March 1998. Retrieved 18 March 2012.0
50S. Huey, "Vanilla Fudge", ''Allmusic ''. Retrieved 11 February 2012.301Changes path
80P. Scaruffi, "A brief summary of German rock music". Retrieved 9 February 2010.200
87M. Wood, "Dengue Fever: Multiclti Angelanos craft border-bluring grooves" ''Spin '', January 2008, p. 46.200
[[The Crazy World of Arthur Brown (band)|The Crazy World of Arthur Brown]] added surreal theatrical touches to its dark psychedelic sounds, such as the singer's flaming headdress. "The Crazy World of Arthur Brown", ''Psychedelic Sight ''. Retrieved 9 February 2010.200
41 Psychedelic rock
accessdate=7 June 2011
publisher=Allmusic
301Redirect to /
68 "Unhalfbricking, Fairport Convention", ''Observer Music Monthly '', 20 June 2004, retrieved on 14 January 2009.200
57R. Unterberger, "Nick Drake: biography", ''Allmusic ''. Retrieved 7 May 2011.301Changes path
but some commentators have distinguished the former, which generally evoked the effects of psychedelic drugs, and acid rock, which can be seen as a more extreme sub-genre that focused more directly on LSD, was often louder, made greater use of distortion and often consisted of long, improvised [[Jam session|jams]]. "Acid rock", ''Allmusic ''. Retrieved 20 March 2012.301Changes path
89 KOREAN PSYCH & ACID FOLK, part 1
accessdate=2013-02-03
date=
publisher=Progressive.homestead.com
200
92 [1]200
129 "Osamu Kitajima: Benzaiten", ''Discogs ''. Retrieved 24 February 2012.200
130 "Harry Hosono And The Yellow Magic Band: Paraiso", ''Discogs ''. Retrieved 24 February 2012.200
R. Unterberger, "Their Satanic Majesties Request: review", ''Allmusic ''. Retrieved 19 November 2007.301Changes path
91John Bush, "Os Mutantes", ''Allmusic ''. Retrieved 2 February 2010.301Changes path
90V. Karaege, Erkin Koray ''Allmusic ''. Retrieved 1 April 2012.301Changes path
142J. Leckie, Producer John Leckie On The Ten Essential Records He's Worked On. ''Thequietus.com ''. Retrieved 19 July 2011200
136J. Marszalek, "Siouxsie & the Banshees reissues", ''Thequietus.com '', 10 April 2009. Retrieved 19 July 2011.200
[[Stoner rock]] also emerged, combining elements of psychedelic rock, blues-rock and [[doom metal]]. Typically using slow-to-mid [[tempo]] and featuring low-tuned guitars in a [[bass guitar|bass]]-heavy sound,G. Sharpe-Young, "Kyuss biography", ''MusicMight ''. Retrieved 10 December 2007.0
88R. Unterberger, "Various Artists: Cambodian Rocks Vol. 1: review", ''Allmusic '' retrieved 1 April 2012.301Changes path
99R. Unterberger, "SMiLE The Beach Boys: review", ''Allmusic ''. Retrieved 15 March 2012.301Changes path
140S. Huey, "The Legendary Pink Dots: Biography", ''Allmusic ''. Retrieved 23 March 2012.301Changes path
With loud walls of sound, where individual instruments and even vocals were often indistinguishable, they followed the lead of [[noise pop]] and [[dream pop]] bands like [[My Bloody Valentine (band)|My Bloody Valentine]] (often considered as the earliest shoegaze act),S. Reynolds, " It's the Opposite of Rock 'n' Roll", ''[[Spin (magazine)|SPIN]]'', August 2008, pp. 78-84.200
139B. Swift, "The Glove: Blue Sunshine: review", ''Allmusic ''. Retrieved 23 March 2012.301Changes path
117 Bee Gees' 1st
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first=Bruce
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144P. Sisson, " Vapour Trails: Revisiting Shoegaze", XLR8R no. 123, December 2008.200
156J. Macgregor, "The Black Angels", ''Allmusic ''. Retrieved 26 January 2011.200
146N. Raggett, "Cocteau Twins: Echoes in a Shallow Bay: review", ''Allmusic ''. Retrieved 23 March 2012.301Changes path
158J. Lymangrover, "Pond", ''Allmusic ''. Retrieved 15 April 2013.200
157J. Macgregor, "Tame Impala", ''Allmusic ''. Retrieved 26 January 2011.301Changes path
159J. Ankeny, "The Green Essex", ''Allmusic ''. Retrieved 26 January 2011.301Changes path
138C. True, "The Cure: The Top: review", ''Allmusic ''. Retrieved 23 March 2012.301Changes path
154S. Erlewine, ''Standing on the Shoulder of Giants '', ''Allmusic ''. Retrieved 7 July 2010.301Changes path
143N. Raggett, ''Phantasmagoria '' ''Allmusic ''. Retrieved 22 March 2012.301Changes path
147 "Shoegaze", ''Allmusic ''. Retrieved 26 January 2011.301Changes path
160J. C. Monger, "Animal Collective: biography", ''Allmusic ''. Retrieved 13 March 2012.301Changes path
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